The Atrocity Exhibition is J.G. Ballard's most complex, disturbing work, with fabulous photos by Ana Barrado and artwork by Phoebe Gloeckner.

The Atrocity Exhibition is J.G. Ballard's most complex, disturbing work, with fabulous photos by Ana Barrado and artwork by Phoebe Gloeckner.

First published in 1970 and widely regarded as a prophetic masterpiece, this is a groundbreaking experimental novel by the acclaimed author of 'Crash' and 'Super-Cannes', who has supplied explanatory notes for this new edition. The irrational, all-pervading violence of the modern world is the subject of this extraordinary tour de force. The central character's dreams are haunt...(展开全部)

First published in 1970 and widely regarded as a prophetic masterpiece, this is a groundbreaking experimental novel by the acclaimed author of 'Crash' and 'Super-Cannes', who has supplied explanatory notes for this new edition. The irrational, all-pervading violence of the modern world is the subject of this extraordinary tour de force. The central character's dreams are haunt...(展开全部)

For better or worse, museums are changing from forbidding bastions of rare art into audience-friendly institutions that often specialize in “blockbuster” exhibitions designed to draw crowds. But in the midst of this sea change, one largely unanswered question stands out: “What makes a great exhibition?” Some of the world’s leading curators and art historians try to answer this ...(展开全部)

William Klein在巴黎蓬皮杜艺术中心于2005年10月至2006年2月举办的生平回顾展，本书与展览同时出版，包括William Klein的早年绘画，以及后来五座城市纽约、罗马、东京、莫斯科、巴黎的摄影，及William Klein后期为Vogue杂志的摄影，及一些电影的资料。

令西泽保彦重读20多遍的高科技推理杰作，讲谈社力赞“紧迫度MAXIMUM！空前绝后的完全犯罪” - 与《克莱因壶》《然后，门被关上了》并称冈岛二人最高三杰作，曾获第10回吉川英治文学新人奖、“这文库本了不起！”2005年度NO.1 - 难以想象这是30年前的作品！ - 致各位读者： 这是一本不适合介绍内容的推理小说。我们所能给出的提示仅有： 8年前（1968年）的绑架案A→赎金要求：价值5千万日元的75根1公斤金条 12年后（1988年）的绑架案B→赎金要求：价值10亿日元的1克拉钻石214颗 此外还有：三本记载着恨意与不平的手稿，一个声音古怪的女性勒索者，一个再没能浮出海面的男人，一场用电脑操控、前所未闻的“完美犯罪”。 - 看似恶作剧般的事件，背后隐藏着疾走的孤独与坚强的意志。 他现在才发现自己似乎忽略了一个无比巨大的可能性，能把这一切程序都编写...(展开全部)

本书汇集文化学者马未都近二十年撰写的99篇序跋随笔，以“小文”见大义，从收藏、艺术、文学延展至生命哲思。全书分“知行”“敬畏”“累积”“承荫”“玩味”五辑，既为《大漆家具》等学术著作作序，亦为《唐诗三百首》等大众读物提笔，更收录其个人作品《背影》《观复嘟嘟》的序跋心语。 马未都以编辑出身的缜密与藏家独到的视野，在千字短章中梳理99本书的文化脉络。文字洗练，见解犀利，摒弃浮夸赞誉，直指文化内核。本书无鸿篇巨制的沉重，却以“边角料”的轻盈折射中华文明的丰厚。 书中特别添加视频二维码，扫码可听作者亲述成文背后的思考，让序跋不再是附属，而成为独立的文化对话。